Showing posts with label Thorndike. Show all posts
Showing posts with label Thorndike. Show all posts

2010/09/28

Crisis (Thorndike Paperback Bestsellers)








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The inventor of the medical thriller shows us a healer's dark side: the terrifying story of a doctor who plunges into a web of corruption and lies. The inventor of the medical thriller shows us a healer's dark side: the terrifying story of a doctor who plunges into a web of corruption and lies.

Unabridged CDs - 14 CDs, 16 hours



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I'll read anything by Robin Cook, and I am especially fond of the Jack Stapleton character. However, the ending of Crisis (spoiler alert) was ridiculous.

I am still wondering who paid to have the three daughters terrorized. Since Craig Bowman turned out to be the murderer, I guess we are supposed to conclude it was him, but that doesn't really make sense! Actually there are a number of things that don't make sense, but the book was fun to read, so I guess I shouldn't nitpick.

But it was just silly to suggest that Jack wouldn't recognize Craig after a few days just because he dyed his hair. Come on!!

Also, I was a bit distracted by the misuse of words such as effect/affect, phased/fazed, and so on. Any decent proofreader/editor should have caught those.




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2010/09/26

Kindred in Death (Thorndike Paperback Bestsellers)








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When the newly promoted captain of the NYPSD and his wife return a day early from their vacation, they were looking forward to spending time with their bright and vivacious sixteen-year-old daughter who had stayed behind.

Not even their worst nightmares could have prepared them for the crime scene that awaited them instead. Brutally murdered in her bedroom, Deena's body showed signs of trauma that horrified even the toughest of cops; including our own Lieutenant Eve Dallas, who was specifically requested by the captain to investigate.

When the evidence starts to pile up, Dallas and her team think they are about to arrest their perpetrator; little do they know yet that someone has gone to great lengths to tease and taunt them by using a variety of identities. Overconfidence can lead to careless mistakes. But for Dallas, one mistake might be all she needs to bring justice.



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I have read each and every one of these - and I LOVED THIS ONE!!!! Nothing can compare to Eve Dallas when she is on a case. I can't wait for the next one. I have already read Fantasy - and it was good - but not as good as this one I think.

Eve Dallas Fans are NOT going to be dissapointed.




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2010/09/22

The River Knows (Thorndike Paperback Bestsellers)








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The first kiss occurred in a dimly lit hallway on the upper floor of Elwin Hastings's grand house. Louisa never saw it coming....

Of course, Anthony Stalbridge couldn't possibly have had romantic intentions. The kiss was an act of desperation meant to distract the armed guard from catching the pair in a place they did not belong. After all, Louisa Bryce, in her dull maroon gown and gold-rimmed spectacles, was no man's idea of an alluring female. The only thing the two interlopers have in common is a passionate interest in the private affairs of Mr. Hastings-a prominent member of Society whom they both suspect of hiding terrible secrets. Now, brought together by their ruse, Anthony and Louisa are united in their efforts to find the truth.

Each has a reason for the quest. Anthony's fiancŽe was said to have thrown herself into the Thames-but Anthony has his own suspicions. Louisa-whose own identity is shrouded in layers of mystery-is convinced that Hastings has a connection to a notorious brothel. When Anthony successfully cracks Hastings's hidden safe-and discovers incriminating evidence-it appears that both their instincts were correct.

Yet Hastings is hiding far more than jewels and ledger books. Bringing him to justice will be more perilous than they anticipate-and their partnership will be more heated than either one expects. For it is not only Anthony's curiosity that Louisa arouses, and the two share something else: a thrilling attraction to danger. . . .

From the triple-threat author who also hits bestseller lists under the names Jayne Ann Krentz and Jayne Castle, this is a delightful new romp filled with suspense and wit-and the steamy Victorian passion her devoted readers love.



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Only a year or so ago, Louisa Bryce, a very intelligent woman, faked a suicide to run from the supposed murder of a very prominent, but very evil, man. Hired by Emma Ashton as a companion, someone to write her memoires, Louisa and Emma quickly become fast friends, where Louisa confesses all. In order to help, Emma is playing off Louisa as a distant cousin from the country who is now widowed. "Unimportant, unfashionable and excessively dull", Louisa manages to squeeze around the Polite World, uncovering deep secrets of the weathly Society ton. She is, after all, a journalist for the Flying Intelligencer, a notorious rag; pen name: I. M. Phantom. No one knows her background, and she intends to keep it that way.

Convinced that Elwin Hastings is up to no good, let alone a possible murderer, she sets off to investigate and find the truth. During a ball, she slips unoticed up the stairs to search his rooms. Leaving his bedroom, she is caught by Anthony Stalbridge, saving her from almost being caught by one of Hastings's personal hired guards. Seems that Anthony is convinced that Hastings murdered his fiancee, Fiona Risby. He's looking for proof - regardless if Hastings pays for his crimes, he still wants the proof. With a quick-witted discussion, the two become unlikely partners, both after the same goal.

And that's when the fun begins. Evidence is found in the way of business papers and one of Fiona's very expensive necklace (the one she was wearing the night she disappeared from a party); now Anthony and Louisa are sure there is more afoot and continue to dig. Louisa would like nothing more than to expose him to the Society he so desperately wants to belong to. Anthony wants him to confess to murdering Fiona. Will they get what they covet most?

Oh, you most certainly bet they do - almost more than they bargain for. Yes, you find out early on the who and what, but it's how the plot came about and to a close that keeps your attention. The more they dig, the more facts come to light, the more questions answered and more arise, that have you focussing on the story, and the main characters.

Louisa is a strong and intelligent woman, regardless of her naivete. She fights for what she believes is right, even if she's putting herself unknowingly in harm's way. Anthony is the only person in his family with a head for finances; seems his father, mother and sister are the eccentric artists of the family. Strong-willed and relentless, he had spotted Louisa right off and became intrigued by the unknown woman; he could see the intelligence in her eyes, no matter how dull she made herself seem in the form of dress and conversation. And the more time they spend together, the more they fall in love with each other. But Louisa believes that it can be nothing more than an illicit affair, especially knowing that, if anyone discovered her past, she'd be hanged for murder.

Quick-witted conversations, discussions and the hot passion they feel for each other will have you believing they are made for each other - two halves of a whole. I liked how Quick touched base on what it was like for woman in that day in age, where women were really considered the weaker sex, where they were valued for their looks, bloodline and money, not for their mind. I like how, not once but twice, Louisa rises above, first after her father dies, then after her faked suicide. It was nice to see Anthony falling in love with her, first and foremost, for her intelligence and integrity. Perfect match. Great climax to the story, even if you did see it coming. Couldn't have asked for better!




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2010/09/11

Susannah's Garden (Thorndike Paperback Bestsellers)





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It was the year that changed everything.

When Susannah Nelson turned eighteen, her parents sent her to school abroad. She said goodbye to her boyfriend, Jake -- and never saw him again. She never saw her brother again, either; Doug died in a car accident while she was away.

Now, at fifty, she finds herself regretting the paths not taken. Especially the chance to be with Jake . . . Long married, a mother and a teacher, she should be happy. But she feels there's something missing, although she doesn't know exactly what. Not only that, she's balancing the demands of an aging mother and a temperamental twenty-year-old daughter.

Because her mother, Vivian, a recent widow, is having difficulty coping and living alone, Susannah prepares to make some hard decisions. In returning to her hometown of Colville, Washington, to her parents' house, her girlhood friends and the garden she's always loved, she also returns to the past -- and the choices she made back then.

What she discovers is that things are not always as they once seemed. Some paths are dead ends. But some gardens remain beautiful . . .



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This was a good story that moved at a fast pace and kept me fascinated. Perfect when you need to get things off your mind and lose yourself in someone else and their difficulties

Though this is book number three in the knitting book series, I did not know this when I chose this audio book and it can be a stand alone and everything is explained fully and don't feel that I missed anything from listening to 1 and 2 first.

Susannah Nelson has a normal life, but something seems missing. There is no real spark or drive. She is a fifth grade teacher, she has a husband and two teenage children.

When she gets a call and realizes that her mother is no longer able to live on her own since her husbands passing, Susannah decides to go home, to Colville, Washington to try and convince her mother that it's time to move into an assisted living facility.

Susannah while planning to go home keeps on having, reoccurring dreams of a high school sweetheart, the death of her brother thirty years before and unresolved problems with her deceased father.

When back in her home town she decides to find Jake, the high school sweetheart, and find out why he suddenly disappeared from her life. Susannah finds so much more then she ever bargained for. Can you expect your husband of twenty-five years to have the excitement and intensity of your high school boyfriend?

Inside this story there is a blackmail story. I will always remember my parents saying to me as a teen don't ever let anyone blackmail you over ANYTHING. You come and tell us and let us handle it. Me being a little Miss Innocent never understood while they said it but I never forgot their advise. In this story there is the BEST blackmail plot and solution. I will keep this audio as an example. If anyone ever gets a blackmail demand. Read or listen to this story. Great example and lessons to be learned on all fronts.

.




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2010/09/07

Northern Farm: A Glorious Year on a Small Maine Farm (Thorndike Press Large Print Perennial Bestsellers Series)








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Henry Beston is best known for writing about his solo Cape Cod beach experience in "The Outermost House." A few years later he married author Elizabeth Coatsworth, and they bought a farm in Maine. First published in 1948, "Northern Farm" recounts a calendar year's worth of rural life in that northern clime. Brrrr.

The chronological narrative begins as the Bestons return to their snow-covered fields and ice-capped pond after celebrating the Christmas season with friends in New York. Each chapter combines factual events with entries from Beston's farm diary, plus his summary philosophical statements. And boy, does winter sure seem to last a long time! It frames the progression of the book. Thankfully Beston takes the opportunity to describe the wildlife he's able to encounter between snowstorms. An overwhelming sense of community surfaces here as well. Remember: this story takes place in a farming landscape just after WWII, before a television could be found in every living room, and when people relied on each other for help during challenging times. They were the kind of times when you left a lantern burning in the front room so that you could more easily find your way home after attending a church supper on a rainy night. "The good old days," for some.

In addition to his notes about managing a small farm and following Nature's course, Beston ruminates about international issues. The war is still fresh in his mind, and he needs to speak about it. Read in post-9/11 times, his comments strike an eerie chord of familiarity. For example:

"No age in history can afford to lay too much emphasis upon 'security.' The truth is from our first breath to our last we inhabit insecurely a world which must of transitory nature be insecure, and that moreover any security we do achieve is but a kind of an illusion. While admitting that a profound instinct towards such safety as we can achieve is part of our animal being, let us also confess that the challenge involved in mere existence is the source of many of the greater virtues of human character." (page 47, in my paperback copy)

Wow! And that's just one of his astute observations.

"Northern Farm" describes a simpler time and place that we'll never see again, regretfully. This is a book well worth tracking down. Just be prepared for A LOT of winter!




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2010/08/28

Cannery Row (Thorndike Press Large Print Perennial Bestsellers Series)








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Adventures of cannery workers living in the run-down waterfront section of Monterey, California.



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Cannery Row is not Moby Dick or The Great Gatsby. That is, it's not a contender for `the great American novel'. But it is _a_ great American novel. Perhaps the great American anti-novel, for its loosey goosey structure, its whimsical shifting of tone and style, are likely to drive batty anyone who has a very rigid vision of what a novel must be.

This novel follows a long summer-fall season amongst those who lived in Cannery Row, Monterey, during the 1930s but who were not part of the business of canning sardines. That industry permeates their lives -- an endless supply of fish heads for cats, customers for the local businesses, etc. -- but the characters are not part of that industry or any other industry for that matter. They are all marginal to the rest of the world, from the Chinese store owner whose conversations with other people seem limited to discussions of the availability of credit to a male gopher who is conflicted because his paradise home is out of the flow of female gophers, which means he never gets laid. (I'm not making this up.)

The two most main characters, if they can be called that, are Mack and Doc. Mack is `one of the boys' at the Palace Flophouse. You'd call him chronically unemployed -- if the idea of being employed ever occurred to him. The boys individually and collectively don't seem to be playing with a full deck of cards but they live life so grandly and so philosophically that they are wiser than almost any other character or characters in fiction. (Many times, we're told a character is wise but the author can't back it up because they themselves haven't acquired that much wisdom.) Doc, whom I very affectionately envision as a younger version of the Doc in the HBO series Deadwood, is generous and compassionate -- yet lonely -- and the moral center of Cannery Row. [Deadwood with hindsight now looks like an ultraviolent and uncouth version of Cannery Row.] He runs a lab in which he catches animals, mainly from the tidal pools, to sell to schools and universities.

The other reviews note that this novel covers a range of emotions, from tragic deaths (off-stage) to the comic. The humor, however, is more salient: P. G. Wodehouse would have given his right arm to have written this. Many events that most people would cast in a tragic light are played lightly: even when depressed the characters are somehow irrepressible.

Much of the book, in fact, borders on slapstick. A major storyline involves the boys of the Palace Flophouse going on a field trip to catch frogs (to sell to Doc to fund a party for him, which seems perfectly reasonable on Cannery Row). I only have time to read these days when my newborn son is sleeping across my chest and I have to say he didn't particularly care for the frog trip because my continual laughing made his bed a little unstable. To give a flavor: the boys decide that in a trip to the country, the country would provide food, so they only bring salt and pepper. The description of gathering the other ingredients in their stew begins with reference to a rooster that wandered away from a farmhouse they're driving by (in a Model T whose acquisition and maintenance are stories in themselves). The meal begins to take shape: "Eddie hit him [the rooster] without running too far off the road." When Hazel, whose mother was undaunted in her choice of names despite the gender of her progeny, cooks him but warns the others, "He ain't going to be what you call tender."


I would in fact mull over whether this novel sentimentalizes poverty except for two things. First, the book is so extensively based on real life that it barely deserves the label fiction. (There's another book out there called Real Life on Cannery Row. I'm reading it now: one of the most interesting points is that the various buildings really were adjacent to each other and only occupied a small portion of Cannery Row.) Second, the day before I started reading this I spoke with a friend from years past who is larger than life in a Mack kind of way: if he had a ,000 a year job, he'd be so afraid of being corrupted by it that he'd give half away to friends and then convert paychecks into beer until he hit the poverty line. Then he could relax again. So there are people like Mack out there.

On the whole, the novel is able to maintain a balance between the sadness and the joy. Indeed, it does so in such a way that it is one of the few novels in which you could learn something about life.

A lot of authors from the 1920s to the 1940s come across through their characters as perpetually inebriated. Reading Fitzgerald is has a kind of boozy but truthful sadness; Hemingway is like a permanent hangover. Cannery Row and its sequel Sweet Thursday are like perfectly hitting the right point of tipsiness: there's a gloriousness to it, the feeling of being part of a happy conspiracy of everyone drinking at that moment but knowing that come morning all you'll feel are pleasant memories.




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2010/08/19

Hey, Good Looking (Thorndike Paperback Bestsellers)








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With lively prose, unforgettable characters, and a touch of mischievous wit, Fern Michaels creates vivid reading experiences in all of her acclaimed USA Today and New York Times bestselling novels. Now, she inspires and entertains with a touching tale of the transforming power of love -- and a woman whose broken heart finds more room for the simple pleasures of family and home, and for discovering true love in the last place she expected.

Darby Lane and Russell Gunn had been inseparable friends from their early years in the Horseshoe, their wonderful Baton Rouge neighborhood of Southern comforts and childhood fancies, all the way through to graduate-school dreams and beyond. Then the unthinkable happens: a tragic accident takes Russ's life, and Darby's world is shattered. Returning to the Horseshoe in utter despair, Darby clings to the only family she's ever known: the three wily and colorful aunts who raised her.

Her long journey to healing takes hold as Darby begins to see Russ's brother Ben through new eyes. Suddenly love blooms in the place of grief, and now, with the help of her aunts, Darby faces the challenge of reuniting Ben with his estranged father -- if they can get through the conniving schemes of Ben's social climber stepmother. Calling on the same tender care and patience with which she builds custom dollhouses, Darby begins to create a new life out of her loss -- and comes to understand that love truly can conquer anything.



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2010/06/01

Grace (Eventually): Thoughts on Faith (Thorndike Paperback Bestsellers)





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The sharp, funny, and heartfelt follow-up to her bestselling Plan B, Anne Lamott's newest collection is a personal exploration of the faith and grace all around us.



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Through Anne Lamott's many books (including six novels, her bestselling parenting memoir, Operating Instructions, and her popular guide to writing, Bird by Bird) the subject she keeps returning to is her faith, her deeply personal--"erratic," she says--journey in Christianity. Her latest book, Grace (Eventually), is her third collection of her "thoughts on faith," and she took the time to answer a few of our questions.

Questions for Anne Lamott

Amazon.com: This is your third book on faith. How has your perspective changed since you wrote your first one?

Lamott: I wrote my first book on faith when Bill Clinton was president, and I was in a much better mood. I wrote Plan B during the run-up to war in Iraq, and the ensuing catastrophe, so I was very angry, but trying to reconcile that pain and hostility to Jesus's insistence that we are made of love, to love, and be loved, to forgive and be forgiven. Some days went better than others. Also, my son Sam was in his early teens, and that was a LOT easier than when he turned 16 and 17, his ages when I was writing the pieces in Grace (Eventually).

In general, I think Grace (Eventually) is a less angry book. I like how I'm aging, except that my back hurts more often, my knees crack like twigs when I squat, and my memory fails more frequently, in more public and therefore humiliating ways. But I think I complain less. As my best friend said when she was dying, and I was obsessing about my butt, "You just don't have that kind of time."

Amazon.com: What does grace mean for you? How can we better communicate it to each other?

Lamott: Grace is that extra bit of help when you think you are really doomed; also, not coincidentally, when you have finally run out of good ideas on how to proceed, and on how better to control the people or circumstances that are frustrating or defeating you. I experience Grace as a cool ribbon of fresh air when I feel spiritually claustrophobic. Sometimes I experience it as water-wings, something holding me up when I am afraid that I'm going down, or the tide is carrying me away. I know that Grace meets us whereever we are, but does not leave us where it found us. Sometimes it is so small--a couple of seconds relief here, several extra inches there. I wish it were big and obvious, like sky-writing. Oh, well. Grace is not something I DO, or can chase down; but it is something I can receive, when I stop trying to be in charge.

We communicate grace to one another by holding space for people when they are hurt or terrified, instead of trying to fix them, or manage their emotions for them. We offer ourselves as silent companionship, or gentle listening when someone feels very alone. We get people glasses of water when they are thirsty.

Amazon.com: Many of the essays in Grace (Eventually) first appeared in Salon, the online magazine, and that's the way that many readers first found you. How do you see the Internet changing the way people read and write?

Lamott: The Internet makes everything so immediate and spontaneous, which I totally love--UNLESS it has to do with the immediacy of people's negative response to me. Several of the Salon pieces in Grace--for instance, the story about the horrible fight with my son, and the piece about turning the other cheek while being ripped off by The Carpet Guy--generated a couple hundred letters, many of them extremely hostile. Perhaps "spewy" would be a better description. I also sometimes get knee-jerk responses to my mentions of Jesus in my Salon pieces that seem to lump me in the same tradition as Jerry Falwell. But for the most part, I love the populism and egalitarian nature of the Internet: everyone counts the same.

Amazon.com: What stories do people tell you, when they've read your books or know you are a writer?

Lamott: People tell me how relieved they are that I try to tell the truth about how hard it can be to be a mother, or a daughter, or an American in these times. They tell me stories about how awful their own teenagers can be, or how awful they themselves behaved towards their kids or parents; how hard it was to finally be able to adore their mothers, or to forgive their fathers. They tell me their sobriety dates. They whisper to me that they are Christians, too.

Also, they ask if I am able to read their manuscripts, and the name of my agent, and my e-mail address. They ask if we are going to survive the current political difficulties--and I promise them we are. They ask how old my son is now--17 and a half--and how he is doing, which is fantastically, after some of the hard months I wrote about in Grace.

Amazon.com:What lessons do you think you can pass on to others: to your readers, to your son? What lessons does it seem like people have to learn for themselves?

Lamott: All I have to offer is my own truth, my own experience, strength and hope. I can pass on the tool of a God Box, and how for 20 years I have been putting tiny notes in mine and promising God I will keep my sticky fingers off the controls until I hear God's wisdom: sometimes I get an answer because the phone rings, or the mail comes, but at any rate, during every single terrible problem and tragedy, I have been given enough guidance and stamina and even humor to bear up, and be transformed, for the good. I always tell Sam that if you want to make God laugh, tell Her your plans. I tell Sam that if he listens to his best thinking, he will suffer: and to listen to his heart instead, to listen in the silence, and to seek wise counsel.

Amazon.com: You've written nearly a dozen books (including an incredibly popular guide to writing): does writing get any easier? Does it get harder?

Lamott: In a very important way, writing gets easier, because I've been doing it full time now for thirty-plus years, and just as you would get better and better if you practiced your scales on a piano, I've gotten better, and can try harder and harder pieces. But writing is always hard. It does not come naturally to me at all. I sit down at the same time every day, which lets my subconscious realize it's time to get to work. I give myself very short assignments, and let myself write really terrible first drafts. But I grapple with the exact same problems every writer does, which is having equal proportions of self-loathing and grandiosity. I sort of live by the Nike ads: Just Do It. So I sit down. I show up. I do it by pre-arrangement with myself, because I know I'll feel sad and terrible if I shirk on that days writing. I do it as a debt of honor, to myself, and to whatever it is that has given me this gift of being able to tell stories, and to make people laugh. Laughter is carbonated holiness. Other people's good writing is medicine for me, and I hope mine is too, for my readers.





Grace (Eventually): Thoughts on Faith (Thorndike Paperback Bestsellers) CustomerReview




My first impression was Anne Lamott's easygoing, easily understandable yet wonderfully and thankfully unannoying writing style, but what on earth is it about book covers with iconic (without a doubt) white (or thereabouts) clapboard church buildings plunked down and settled in amidst verdant Midwestern or New English (doubtless) shade trees? Is there any other possibility?

At first I thought this is kind of coolly about real life, but next I thought, "I think I'm just as clever, brave, honest, mellow (no, not that one yet), wise and perceptive as Ann(i)e Lamott, and I'd love to be published between covers rather than just on a blog screen, too." A week ago, when I read half the book (picking and choosing the next chapter according to how intriguing the title seemed), I kept thinking, "we all are not all that f***ed up, are we? She so seems to be into total depravity! It will take the world 1,000 years to recover from GWB? I thought this book was about grace!" But the further I got, the more I knew she was writing about me, and with such credibility: not only is it an actual printed hard-copy (because after all, so is the National Enquirer), but it's a bound book by a non-sensational author. That rocks!

A person cannot be fully human without the interwoven fabric of connectiveness, belongingness, participation, recognition and acknowledgement. Because it's real and alive, it can be torn, tattered, ripped apart, rewoven, mended and appended to other pieces (remnants) of cloth. Call it "being networked!" In the first paragraph of Wailing Wall the author writes, (page 25) "You say that we don't have to live alone with out worries and losses, that all the people in their tide pool will be there for them. You say that it totally sucks, and that grace abounds." That sounds a whole lot like a whole lot of my own writing, teaching and preaching, but where is the community with that promise for me?

"Near the Lagoon, 2004" (in the "Forgiveness" section of the book) is about the writer's return to the scene of her earlier life after a long time away. From page 141: "I almost immediately got a Twilight Zone feeling. First, I was going back to the place from which I had fled, and that is usually a signal to me that something mythical is in the works. And second, instantly a hobgoblin of a man appeared in our path...He asked...'Do you know where you are going?'" And in Ski Patrol, on pages 18-19, toward the book's beginning, Annie Lamott asserts "...God always hears our cries, and helps, and it's always a surprise to see what form God will take on earth..." Amen, amen!

Despite the immense varieties of human experiences, my best guess is most people have had or eventually will have similar experiences to Annie Lamott's and even experiences not dissimilar to mine. Take a trip through this book and remember some of the stories; I predict they'll do well by you and for you!




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2010/05/26

Exile (Thorndike Paperback Bestsellers)








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David Wolfe is a successful American lawyer being primed for a run for Congress. But when the phone rings and he hears the voice of Hana Arif—the Palestinian woman with whom he had a secret affair in law school—he begins a completely unexpected journey.

The next day, the prime minister of Israel is assassinated by a suicide bomber while visiting San Francisco. Soon, Hana is accused of being the mastermind behind the murder. Now David faces an agonizing choice: Will he, a Jew, represent her?

The most challenging case of David’s career requires that he delve deep into the lives of Hana and her militant Palestinian husband, all the way back to Israel and the West Bank. There he uncovers the couple’s dangerous connections…culminating in an explosive trial where the stakes are Hana’s life—and the future of two peoples.




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David Wolfe, a successful Jewish lawyer in San Francisco who seems to have it all, he is about to marry a beautiful woman who he loves (and who is more devoutly Jewish) and he's about to embark on the political career. Into this ideal life pops an old lover from his college days: Hana Arif, a Palestinian.

Their romance ended because of her arranged marriage to Saeb, a Muslim with rather extreme views. Hana is in the United States along with her husband and daughter, speaking out against Israeli policy.

The visiting Israeli Prime Minister is killed by a terrorist attack and Hana is implicated through hearsay and circumstantial evidence. Hana asks David to represent her, against his better judgement he agrees destroying his political career and threatening his engagement. David has to travel to Israel to seek important evidence as the case involves a possibly large conspiracy.

Patterson writing of this conflict is very even handed which will probably upset and inflame people from both sides. but for someone like myself from Australia I have learned a lot from this story.
At the end of the audio the author is interviewed and he quotes all the people that he interviewed from both sides and even interviewed some people in prison about this conflict as well.

I have just finished THE RACE by Richard North Patterson and loved it.

I feel this story was drawn out and the narrative flow does get bogged down in some parts with too much detail. I was going to give it a 3 star (3 and 1/2 if possible) but as days have gone by since finishing this book I have picked it up so many times and asked clients "Have you read this book?" Then discussed the Palestinian vs Israeli problems.

I now have better memories of EXILE more that THE RACE. Strange with time after finishing a book that we realise how much it has really got to us more than just an easy read does.








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2010/04/04

All Quiet on the Western Front (Thorndike Press Large Print Perennial Bestsellers Series)








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"All Quiet on the Western Front" remains the quintessential anti-war novel. The events depicted in the novel occurred almost a century ago. Remarque was a master, not only at depicting the horrors of trench warfare, which the First World War is most noted for, but also the power relations which accompany war, both within the military, and in society at large. His prose burns. Consider simply the issue of how new recruits are trained: "We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe...We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies." Yes, "braided postman."

I first read this work over 40 years ago, before I entered the Army. It proved to be the best "orientation manual" possible for what the military would be like, despite the fact that Remarque depicted the German Army of World War I, and I was in the American Army in Vietnam. There were several passages that I remembered, and they proved to be astonishingly prescient. For example, the manner is which Kat died in the book, and Paul's utter surprise that he was actually dead from such a small wound reflected the first casualty I treated, a Lieutenant who was just so unlucky to have gotten hit where he did. But on this re-read, I was impressed with how many other portions were also relevant. Remarque brilliantly depicted the immense emotional dissonance that Paul experienced on leave, with his fellow citizens of the home front who were always so willing to pat him on the back, and buy him a beer, and then pontificate in their excruciatingly clueless manner about what was needed to "really win this war." And then there are the hospitals, as Remarque says: "A hospital alone shows what war is." The author depicts the suffering of the soldiers, and the sometimes callousness of the staff that could be drawn from the recent news articles on the scandals at Walter Reed Hospital. Remarque even includes the physicians, as he and I would both say, a very slender minority, but nonetheless real, who see the war and their "captive audience" as a wonderful laboratory to experiment - in this book's case it was a surgeon who loved to break feet, in an always failing attempt to cure "flat feet."

War can make a liar out of you. Paul Baumer is home on leave. He knows the agonizing way that Kemmerich died. He has to see his mother, who wants to hear the entire, honest truth. There is no way he can tell her; there is no way that he can say your son died for nothing at all. He has to say: Your son died a hero, and he died instantly. As to the truth: "I will never tell her, she can make mince-meat out of me first. I console her..." In another scene Paul is in a shell crater, a Frenchman also jumps in it, and Paul instinctively has to kill him. From his papers he learns that he is Gerald Duval, a printer. Paul realizes that he is just another poor slob who got caught up in the war, and didn't make it. In the crater, Paul makes a promise to him: "I promise you, comrade. It shall never happen again." As we all know, not only again, but again and again it continues to happen.

Remarque brilliantly depicts the nitty-gritty of war, from the lice to the rats. In his case, much time was spent scrounging for food, which was one of the real differences with the American Army in Vietnam. It might have bland, but the food was always adequate for us. But he is equally adept at addressing the larger issues of why wars occur, and in one scene, after they had been issued new clothes (which were later collected!) for the Kaiser's inspection, the infantrymen ask each other if he could have prevented the war. The conclusion was, no, not him alone, but if only 30 people, those with the power, had said no, there would have been no war. Remarque has an excellent passage, worthy of Pascal's ruminations questioning the right to kill a man because "he lives on the other side of the river." Remarque says: "A word of command has made these silent figures our enemies; a word of command might transform them into our friends. At some table a document is signed by some persons whom none of us knows, and then for years together that very crime on which formerly the world's condemnation and severest penalty fell, becomes our highest aim... Any non-commissioned officer is more of an enemy to a recruit, any schoolmaster to a pupil than they are to us."

This book should be a requirement before any student can graduate from high school. Even more so, it should be an essential curriculum item in any journalism school; the last two brief paragraphs explain the title to the book, and that aspiring journalist might hesitate in ever writing: "MACV reported that there was only light and scattered fighting in the Central Highlands." Or, on the Western Front, or in Helmand province.





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2010/03/24

Ricochet (Thorndike Paperback Bestsellers)










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New York Times bestselling author Sandra Brown is back with a spine-tingling story of murder and betrayal -- and a homicide detective's struggle with his own rules of conduct.

When Detective Sergeant Duncan Hatcher is summoned to the home of Judge Cato Laird in the middle of the night to investigate a fatal shooting, he knows that discretion and kid-glove treatment are the key to staying in the judge's good graces and keeping his job.

At first glance, the case appears open-and-shut: Elise, the judge's trophy wife, interrupted a burglary in progress and killed the intruder in self-defense. But Duncan is immediately suspicious of Elise's innocent act. And further investigation quickly puts Duncan's career in jeopardy -- because he can't deny his increasing attraction to Elisa Laird, even if she is a married woman, a proven liar, and a murder suspect.

Ricochet's plot twists -- as only Sandra Brown can write them -- make this a gripping thriller, in which a decent cop's worst enemy may be his own conscience...and trusting the wrong person could mean the difference between life and death.



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This was an engaging book with a well thought out, twisty plot. Though I enjoyed the book, I can understand some of the negative reviews. The biggest bone of contention seems to be that the reader is made to continuously vacillate on whether or not to believe the main female character. But, that vacillation was intentional on the part of the author and intrinsic to the concept behind the book. The story is told primarily from the point of view of the main male character. The story unfolds through his eyes. He's in love with the main female character and fights it, not knowing for sure if she can be trusted. I think this creates a lot of angsty drama and tension. If we know for sure that she can be trusted, where's the suspense? Anyway, another negative comment is that we don't get to really know the female character as well as we know the male character. That's true. But, again this is intentional. We get to know and trust her only as the main male character does. I think the book is well written and suspensful. Ms. Brown's approach to telling this story from the male's pov was quite novel (other authors tend to give us the female pov or to let us into the heads of both characters). Though I was able to guess the ultimate outcome at the beginning of the book, the book still kept my interest until the end.




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2010/03/22

Obsession (Thorndike Paperback Bestsellers)








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A woman survives a horrific attempt on her life, only to feel like a stranger in her own home, in the electrifying new novel from New York Times-bestselling author Karen Robards.

The house is all wrong. Her clothes are all wrong. When Katharine Lawrence recovers consciousness on the kitchen floor, staggers to her feet and looks at herself in the mirror, the beautiful face staring back at her is familiar-but wrong. Despite all the evidence-her pictures are all over the apartment, the clothes in the closets are the right size, and it's her hair caught in the brush atop the dresser-everything feels wrong.

Maybe the trauma of the attempt on her life has given her some kind of amnesia. She's twenty-nine, the special assistant to the head of the National Security Agency, and she's lucky to be alive. She also knows she can trust no one.

Before she can act on her instincts and run for her life, CIA Agent Nick Huston arrives on the scene. The CIA is conducting a special investigation of Katharine's boss, and the mystified woman in her "unreal" house is the key to the operation. But the real Katharine Lawrence has been whisked away for debriefing, and this expendable lookalike, Jenna Hill, is being used until the CIA gets the information it needs. But no one counted on Jenna Hill's outrage at being used. And no one-least of all Nick-could have anticipated the heat that flares between them as the game plays on.



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